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<channel>
	<title>Sydney Sie</title>
	<link>https://sydney-sie.com</link>
	<description>Sydney Sie</description>
	<pubDate>Sat, 27 May 2023 15:03:34 +0000</pubDate>
	<generator>https://sydney-sie.com</generator>
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	<item>
		<title>Featured Work</title>
				
		<link>https://sydney-sie.com/Featured-Work</link>

		<pubDate>Sat, 08 Jan 2022 19:03:03 +0000</pubDate>

		<dc:creator>Sydney Sie</dc:creator>

		<guid isPermaLink="true">https://sydney-sie.com/Featured-Work</guid>

		<description>Sydney Sie

&#60;img width="1280" height="1280" width_o="1280" height_o="1280" data-src="https://freight.cargo.site/t/original/i/d21048a7d17d82818271afdd8647298726c1c9dab0b21608954d8c5b4897996b/sydneysie-The-Nothingness-of-Amelie-02.jpg" data-mid="177402380" border="0"  src="https://freight.cargo.site/w/1000/i/d21048a7d17d82818271afdd8647298726c1c9dab0b21608954d8c5b4897996b/sydneysie-The-Nothingness-of-Amelie-02.jpg" /&#62;The Nothingness of AmelieNovember  2014

&#60;img width="3000" height="4500" width_o="3000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/5cbb3011ef42135869b1d40b613dc9ba4e451a77251d25b912e73d31cdc66897/Sydney-Sie-Unexpectable-Boxes-02.jpg" data-mid="177401196" border="0"  src="https://freight.cargo.site/w/1000/i/5cbb3011ef42135869b1d40b613dc9ba4e451a77251d25b912e73d31cdc66897/Sydney-Sie-Unexpectable-Boxes-02.jpg" /&#62;Unexpectable BoxesDecember 2014
&#38;nbsp;&#60;img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/b11701c9669d96732fdaca68c3740b658a707571d42926e20fd22f272af26248/sydneysie-Orange-Requiem-02-1.jpg" data-mid="179791439" border="0"  src="https://freight.cargo.site/w/1000/i/b11701c9669d96732fdaca68c3740b658a707571d42926e20fd22f272af26248/sydneysie-Orange-Requiem-02-1.jpg" /&#62;Orange RequiemApril 2015
&#60;img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/4e812a96aff87d1ad6d442d9d2f46f385a1cfd3c4909cc8e444e2016f62c804b/SydneySie-2022TIQFF.jpg" data-mid="179792477" border="0"  src="https://freight.cargo.site/w/1000/i/4e812a96aff87d1ad6d442d9d2f46f385a1cfd3c4909cc8e444e2016f62c804b/SydneySie-2022TIQFF.jpg" /&#62;2022 TIQFFJuly 2022

&#60;img width="2362" height="3539" width_o="2362" height_o="3539" data-src="https://freight.cargo.site/t/original/i/4247814bd6fb18b0649b404607289057573432ba595e2741bdbff8bdae54bdb9/Sydney-Sie-Theyaresingular-01.jpg" data-mid="179792257" border="0"  src="https://freight.cargo.site/w/1000/i/4247814bd6fb18b0649b404607289057573432ba595e2741bdbff8bdae54bdb9/Sydney-Sie-Theyaresingular-01.jpg" /&#62;
They are singularJuly 2019
金音創作獎 2019
&#60;img width="4699" height="5873" width_o="4699" height_o="5873" data-src="https://freight.cargo.site/t/original/i/cde8f7840654cd6dad58e3aa6218d80beb43b468669b30c35ea5a58c80462dbc/SydneySie-RhinoShield-01.jpg" data-mid="179791240" border="0"  src="https://freight.cargo.site/w/1000/i/cde8f7840654cd6dad58e3aa6218d80beb43b468669b30c35ea5a58c80462dbc/SydneySie-RhinoShield-01.jpg" /&#62;CaseApril 2022&#60;img width="2362" height="3334" width_o="2362" height_o="3334" data-src="https://freight.cargo.site/t/original/i/98e2a28143658956fe9d14f86d5a51b3ad70b8ed048e0bc18744bdecae9da4db/SydneySie-Body-Imaging-01.jpg" data-mid="179791179" border="0"  src="https://freight.cargo.site/w/1000/i/98e2a28143658956fe9d14f86d5a51b3ad70b8ed048e0bc18744bdecae9da4db/SydneySie-Body-Imaging-01.jpg" /&#62;Body ImagingApril 2018


&#60;img width="2362" height="3373" width_o="2362" height_o="3373" data-src="https://freight.cargo.site/t/original/i/cf02d4767231c7f8a2722e4492eb927f03a2f4c859bd5494691bdf00cb4ba694/Sydney-Sie-Windows-02.jpg" data-mid="179791197" border="0"  src="https://freight.cargo.site/w/1000/i/cf02d4767231c7f8a2722e4492eb927f03a2f4c859bd5494691bdf00cb4ba694/Sydney-Sie-Windows-02.jpg" /&#62;WindowsJune 2018


&#60;img width="1080" height="1920" width_o="1080" height_o="1920" data-src="https://freight.cargo.site/t/original/i/792a0ceb546e5275fdceab135e0dce545410f2b7c7bc97a196efb33b7343a85d/SydneySie-gwangju-01.jpg" data-mid="179791363" border="0"  src="https://freight.cargo.site/w/1000/i/792a0ceb546e5275fdceab135e0dce545410f2b7c7bc97a196efb33b7343a85d/SydneySie-gwangju-01.jpg" /&#62;Ze and ZirMay 2020
&#60;img width="4500" height="4501" width_o="4500" height_o="4501" data-src="https://freight.cargo.site/t/original/i/e7f0ab13d8769a848807ca3c3c91427506d6017c1eb838bb76e83c741f3ad8d3/SydneySie-Yodex-01.png" data-mid="179791372" border="0"  src="https://freight.cargo.site/w/1000/i/e7f0ab13d8769a848807ca3c3c91427506d6017c1eb838bb76e83c741f3ad8d3/SydneySie-Yodex-01.png" /&#62;2022 YODEX ｜ Key Visaul DesignApril 2022
&#60;img width="1484" height="1858" width_o="1484" height_o="1858" data-src="https://freight.cargo.site/t/original/i/68273062418c9e9939483a9d39af5412fb4351f7280b40d8f5a2f54f7a426e25/Sydney-Sie-Summer-08.png" data-mid="179791225" border="0"  src="https://freight.cargo.site/w/1000/i/68273062418c9e9939483a9d39af5412fb4351f7280b40d8f5a2f54f7a426e25/Sydney-Sie-Summer-08.png" /&#62;
SummerAugust 2021

&#60;img width="1869" height="1051" width_o="1869" height_o="1051" data-src="https://freight.cargo.site/t/original/i/b37ce2769a3cd4ad8e08e8e6bb8f32589bfa30ed4e608aad45f33734ff2d76a6/Sydney-Sie-TOYOTA-01.png" data-mid="179791012" border="0"  src="https://freight.cargo.site/w/1000/i/b37ce2769a3cd4ad8e08e8e6bb8f32589bfa30ed4e608aad45f33734ff2d76a6/Sydney-Sie-TOYOTA-01.png" /&#62;TOYOTAJune 2017




&#60;img width="1280" height="1280" width_o="1280" height_o="1280" data-src="https://freight.cargo.site/t/original/i/3fc684d7457797a404072aa6bcb535ee38da1f9246e413601329039c87445147/sydneysie-The-Nothingness-of-Amelie-09.jpg" data-mid="177402435" border="0"  src="https://freight.cargo.site/w/1000/i/3fc684d7457797a404072aa6bcb535ee38da1f9246e413601329039c87445147/sydneysie-The-Nothingness-of-Amelie-09.jpg" /&#62;
The Nothingness of AmelieNovember 2014


Be patient. Your future will come to you and lie down at your feet like a dog who knows and loves you no matter what you are.



SEE ALL WORK


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	</item>
		
		
	<item>
		<title>Interview</title>
				
		<link>https://sydney-sie.com/Interview</link>

		<pubDate>Sat, 27 May 2023 15:03:34 +0000</pubDate>

		<dc:creator>Sydney Sie</dc:creator>

		<guid isPermaLink="true">https://sydney-sie.com/Interview</guid>

		<description>Interview / Text報導 /
 
文獻&#38;nbsp;


2025 《Shopping Design 》攝影藝術博覽會裡的人生體悟 / Link
2025 《SKM PHOTO 台灣SKM攝影藝術博覽會》/ Link2022《聯合文學》/ 臺灣 / Link
2022 《La Vie》新一代設計展主視覺 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
/ 臺灣 / Link
2020《美麗佳人》/ 臺灣 / Link
2020《The Big Issue 大誌雜誌》動物森友會 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
/ 實體 / 臺灣 / Link
2019《The Big Issue 大誌雜誌》限時動態 / 實體出&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;版 / 臺灣
2019《Everyday Object》金音創作獎 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
/ 臺灣 / Link
2019《Everyday Object》台灣賓士 / 合作 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
/ 臺灣 / Link
2018《PPAPER》 / 臺灣
2018《wonder foto day》 / 臺灣
2018《The Femin》/ 香港 / Link
2017《Everyday Object》Family Portrait / 合作&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;/ 臺灣 / Link
2017《Everyday Object》Pantone / 合作 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;/ 臺灣 / Link
2017《Everyday Object》Converse / 合作 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;/ 臺灣 / Link
2016《Nylon》 / 實體出版 / 韓國
2016《Nylon》/ 日本
2016《意念圖誌 Inspire》 / 實體出版 / 臺灣2015《The Plus 》/ 英國 / Link
2015 《Obscura Magazine》 / 香港
2015《Fubiz》/ 法國 / Link
2015《FLiPER》/ 臺灣 / Link
2015 《nssmag.com》/ 義大利
2015《iGNANT》/ 德國 / Link
2015《Artisan Magazin》/ 德國
2015《waterfall》 / 臺灣 / Link
2015《Vice》 / 中國
2015《#photography Magazine》 / 實體出版 / 英國
2015《Calling》 / 實體出版 / 土耳其
2015《BranD magazine》 / 實體出版 / 香港


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</description>
		
	</item>
		
		
	<item>
		<title>Profile</title>
				
		<link>https://sydney-sie.com/Profile</link>

		<pubDate>Sat, 08 Jan 2022 19:03:04 +0000</pubDate>

		<dc:creator>Sydney Sie</dc:creator>

		<guid isPermaLink="true">https://sydney-sie.com/Profile</guid>

		<description>Profile

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If you could see your whole life from start to finish, would you change things?

｜Visual Artist｜｜Creative &#38;amp; Art Direction｜Photography｜Graphic Design｜Animation｜
Sydney Sie graduated from the National Taiwan University of Science and Technology. Majored in Graphic Design in undergraduate studies and Information Design in graduate school. 

She expresses her creativity through graphic design, photography, and motion imagery, often playing with optical illusions, surreal compositions, and symbolic language. Her work is featured on major visual and art platforms in Taiwan and internationally.

She has exhibited at the Asia Culture Center in Korea with 《Solidarity Spores》, served as video director and photographer for the main visual of the 《YODEX》, creative director of the 《GIMA》, and a directing instructor for Apple’s 《Today at Apple》 program.

Her works have been nominated and awarded at international film festivals in the UK, Italy, Australia, Portugal, Romania, Bulgaria, and more, with an ongoing focus on themes such as gender and psychology.
For more information on Sydney's work, to get in touch regarding employment opportunities, feel free to get in touch.Nominated:Melbourne International - Animation Festival (MIAF)Kinofest festivalAnimex festivalMonstra festivalGolden Kuker - Sofia festival
-Sydney Sie’s work often constructs a visually “singular” yet inherently “divided” body through the physical misalignment and combination of two female figures. These images are not digitally composited; rather, they are composed through real postures, lighting, and spatial relations—forming an image that is simultaneously unified and fragmented. This optical dissonance exposes the fragility and instability of the body as a vessel of social language. The pink-toned visual setting and anatomical labeling evoke the ways in which power operates through language and systems of classification, rationalizing the female body into an interpretable, dissectible structure.


The work engages with Judith Butler’s theory of gender performativity, which posits that gender is not an essence but a construct—an identity enacted and reiterated through social performance. When two subjects’ limbs are displaced and merged into a “single body,” a disjunction arises between the viewer’s intuition and reason. This tension itself becomes an act of resistance against gender essentialism, disrupting the expectation of bodily coherence. The composition does not seek harmony; it is a deliberate act of disruption, revealing multiplicity beneath the surface of representation.


Echoes of Gilles Deleuze and Félix Guattari’s notion of the body without organs also emerge here—this is not a body defined by function, but a fluid subjectivity that escapes the logic of anatomical order and social utility. It refuses the demand to be seen, refuses to submit to structural control. With cool precision, it reveals how the female body, within contemporary visual culture, is both objectified and striving to break free from that objectifying gaze. It is a lucid and radical gesture—a contemporary response to the politics of structure, language, and the body.


介紹 INFO

					
				
			
		
	
｜Visual Artist 視覺藝術家｜｜Creative &#38;amp; Art Direction｜Photography｜Graphic Design｜Animation｜





畢業於臺灣科技大學，大學主修平面設計，研究所主修資訊設計。以設計、攝影與動態影像來呈現創作，把玩錯視、超現實構圖與符號語言，作品活躍於國內外各大視覺與藝文平台。

曾參展韓國亞洲文化殿堂《Solidarity Spores》，擔任《新一代設計展》主視覺執導與拍攝、《金音創作獎》創意總監，以及科技品牌「Apple」導演類講師。

作品屢獲英國、義大利、澳洲、葡萄牙、羅馬尼亞、保加利亞等多國國際影展得獎提名，長期探討性別與心理等議題。
-Sydney Sie 的作品常藉由兩位女性的肢體錯位組合，營造出一個視覺上「單一」卻實則「分裂」的身體。作品未經數位合成，純粹以現實姿態與光影關係，構築一個既統一又分裂的形象。這種錯視經驗揭示出身體作為社會語言載體的脆弱與不穩定性。粉紅色的視覺語境與醫學式部位標註，映射出權力如何透過語言與分類操作，將女性身體合理化為可解析的結構。


此作回應朱迪斯・巴特勒（Judith Butler）關於性別表演性的論述：性別不是本質，而是一種透過重複與社會建構實踐出來的姿態與行為。當兩個主體的肢體錯置成一具「單一的身體」，觀者的直覺與理性之間產生落差，這種不協調正是對性別本質論的干擾與抵抗。身體的組合並不尋求和諧，而是一種有意識的破壞，揭露表象下的多重存在。


德勒茲與瓜達里的「器官無器官體」概念亦隱隱浮現——這不是一具功能明確的身體，而是一種逃逸於標準功能分配之外的流動主體。它無意順從觀看、無意服膺結構，它冷靜、精準地展示出女性身體在現代視覺文化中如何既被物化，又試圖擺脫物化的觀看體制。這是一種理性冷靜的激進姿態，一場對結構、語言與身體政治的當代回應。





	
		
		
	
	
		
			
				
					
						經歷 Experience

	
		
		
	
	
		
			
				
					
						
2025
日本DDD美術館《C-GRAPHIC / TAIPEI─2020年代台北的平面設計》。府中15《感覺器OFF／ON—超感官影像體驗展》。高雄設計節《What is your voice》。《SKM PHOTO 台灣SKM攝影藝術博覽會》。


2024
 
林宥嘉《王》實體專輯 / Yoga Lin ”Love, Lord“ Music Art Book / 平面攝影。出版《C-GRAPHIC INDEX 新世代中華圏グラフィックデザイナーの現在》グラフィック社 / 日本。《第𝟛𝟙屆台灣國際女性影展》主視覺藝術總監。酉鬼啤酒主視覺拍攝。COACH《2024 Spring Find Your Courage》拍攝。VALENTINO BEAUTY《Go-Cushion Green Stravaganza》拍攝。 Jo Malone London《Red Hibiscus Cologne Intense》拍攝。受訪於《me ISSEY MIYAKE》、《BranD magazine》NO.75 / 實體出版 / 香港與《設計人》vol.55 造雲計畫 / 實體出版 /臺灣。新光三越文教基金會《吳東興攝影贊助計畫》獲獎人
2023&#38;nbsp;
Apple《Today at Apple》動態攝影導師 Work Shop。擔任《青春設計節》評審。受訪於2023 《Shopping Design 2023》 冬季號。

2022獲《金點設計獎 Golden Pin Design Award》最佳設計標章。執導與拍攝《新一代
設計展》主視覺、《TIQFF 國際酷兒影展》主視覺、犀牛盾新品《渲染虹彩系
列》、《Par : Performing arts redefined》表演藝術期刊封面、《年年》寵物鮮食
包主視覺。參展於New Balance展覽《What A Grey Day》。擔任《桃園設計獎》
評審。受訪於《臺北市立美術館》《狂八〇:跨領域靈光出現的時代》、《聯合文
學》。

						2021擔任 Apple《Today at Apple》講師。拍攝《Nespresso 夏日食譜聯創計畫》、《GQ x Niko》與拍攝雜誌《Homework》。
2020參展於韓國亞洲文化殿堂《Solidarity Spores》。執導 Selina《四季》 前導影片。
受訪於《美麗佳人》。

						
2019臺灣《金音創作獎》創意總監。東京上野公園展覽《Taiwan Plus》。與台灣賓士合作《smart》拍攝與採訪。作品刊登
於《The Big Issue 大誌雜誌》與《FLiPER》，擔任《synology》講師。

					
				
			
		
	

2018執導 Google Pixel3 企劃影片。於新竹玻璃設計藝術節《光動Light-Driving》與臺灣
文博會Creative Expo Taiwan《從身體創造》展出。擔任《高雄攝影節》與
《Wacom》講師。作品刊登於臺灣實體雜誌《PPAPER》、《Everday Object》、
《wonder foto day》與香港線上平台《The Femin》。設計林宥嘉《idol》演唱會
周邊，拍攝文慧如《親愛的你，怎樣的我》專輯。

						
2017於TOYOTA PRIUS c 廣告、SAMSUNG NOTE8、阿達Ada MV《我說寶貝》影片擔
任導演。SAMSUNG A7形象拍攝、加美隱形眼鏡形象拍攝、藝人温貞菱形象拍攝。
作品刊登於臺灣線上平台《Everday Object》，參與攝影聯展《wonder foto
day》。

						
2016擔任舞台劇《How Long is Now》形象片導演，還有Lulu黃路梓茵《蜜大腿》MV。
魏如萱《那邊的女人，這邊的貓》與舞台劇《洋子Yoko》單曲拍攝、黃玠瑋
《wonderland》專輯形象拍攝、韓國《wegle wegle》形象拍攝、《ponyo porco》
形象拍攝。作品刊登於韓國《Nylon》實體雜誌與日本《Nylon》線上採訪，與臺灣
雜誌《意念圖誌Inspire》。參與《30visual-designers》聯展、勤美誠品
《meowomen》聯展。

						
2015入圍國際攝影獎項《IPA》。執導Ella《差一點》MV。拍攝《ADERerror》形象照、《ponyo porco》形象照、
《ATOM》形象照、紐約樂團《SACHI》專輯攝影。於時報文化出版《MEOW:這
些貓 / 這些人》，作品刊登於實體雜誌英國《#photography Magazine》、土耳其
《Calling》、香港《BranD magazine》，與線上平台法國《Fubiz》、德國
《iGNANT》與《Artisan Magazin》、臺灣《waterfall》、中國《Vice》。

						
2012動畫獲《葡萄牙 MONSTRA國際動畫影展》、《羅馬尼亞 Kinofest 國際數位影展》、
《英國Animex 動畫與電腦遊戲影展》、《義大利 Lucania 影展》、《保加利亞
Golden Kuker – Sofia》等國際影展得獎提名，2013 年入圍《澳洲墨爾本國際動畫
影展》。

					
				
			
		
	




Language is the foundation of civilization. It is the glue that holds a people together. It is the first weapon drawn in a conflict. 






得獎 Award / Honor

					
				
			
		
	


	
		
		
	
	
		
			
				
					
						2024 新光三越文教基金會《吳東興攝影贊助計畫》獲獎人
2022 《金點設計獎 Golden Pin Design Award》最佳設計標章
Award / Honor2015 &#38;nbsp;入圍國際攝影獎項《IPA》

2013 《澳洲墨爾本國際動畫影展》Melbourne International-Animation
Festival (MIAF), Australia
2012 《葡萄牙 MONSTRA國際動畫影展》,Portugal
2012 《羅馬尼亞 Kinofest 國際數位影展》Kinofest Festival, Romania2012 《英國Animex 動畫與電腦遊戲影展》Animation Festival, United Kingdom
2012 《義大利 Lucania 影展》,Italy
2012 《保加利亞 Golden Kuker – Sofia》,Bulgaria

展覽 Exhibitions



					
				
			
		
	


	
		
		
	
	
		
			
				
					
						2025&#38;nbsp; 日本DDD美術館《C-GRAPHIC / TAIPEI─2020年代台北的平面設計》2025&#38;nbsp; 府中15《感覺器OFF／ON—超感官影像體驗展》2025&#38;nbsp; 高雄設計節《What is your voice》


2025 《SKM PHOTO 台灣SKM攝影藝術博覽會》
2022 New Balance展覽《What A Grey Day》
Exhibitions
2020 韓國亞洲文化殿堂《Solidarity Spores》

2019 東京上野公園展覽《Taiwan Plus》
2018 新竹玻璃設計藝術節《光動Light-Driving》
2018 臺灣文博會Creative Expo Taiwan《從身體創造》
2017 攝影聯展《wonder foto day》
2016 參與《30visual-designers》
2016 勤美誠品《meowomen》2015 feb coffee

					
				
			
		
	




					
				
			
		
	
教學演講 
Lectures / Teaching Activities


					
				
			
		
	
2025&#38;nbsp; 府中15《感覺器OFF／ON—超感官影像體驗展》
2023&#38;nbsp;Apple《Today at Apple》動態攝影導師 Work Shop
2023 《青春設計節》評審 / Link2022&#38;nbsp; 《桃園設計獎》
評審
2021 &#38;nbsp;Apple《Today at Apple》平面攝影導師 Work Shop
2019 《synology》演講
2018 《高雄攝影節》演講
2018《Wacom》演講出版 Publications

					
				
			
		
	
2024 《C-GRAPHIC INDEX 新世代中華圏グラフィックデザイナーの現在》グラフィック社 / 日本 / Link
2018 《P08 IRIDESCENT》viction:ary / 香港 / Link
2017 《citix60》 viction:ary / 香港 / Link
2015&#38;nbsp;《MEOW : 這些貓 / 這些人》時報文化出版 / 臺灣 / Link

					
				
			
		
	


報導 /&#38;nbsp;文獻 Interview /&#38;nbsp;Text

					
				
			
		
	

2025 《Shopping Design 》攝影藝術博覽會裡的人生體悟 /&#38;nbsp;Link
2025&#38;nbsp;《SKM PHOTO 台灣SKM攝影藝術博覽會》/&#38;nbsp;Link2024 《me ISSEY MIYAKE》2024《BranD magazine》NO.75 / 實體出版 / 香港
2024 《設計人》vol.55 造雲計畫 / 實體出版 /臺灣2023 《Shopping Design 2023》 冬季號 / Link
2022《聯合文學》/ 臺灣 / Link

2022《La Vie》新一代設計展主視覺 / 臺灣 / Link
2020《美麗佳人》/ 臺灣 / Link

2020《The Big Issue 大誌雜誌》動物森友會 
/ 實體出版 / 臺灣 / Link
2019《The Big Issue 大誌雜誌》限時動態 / 實體出版 / 臺灣

2019《Everyday Object》金音創作獎 / 臺灣 / Link

2019《Everyday Object》台灣賓士 / 合作 
/ 臺灣 / Link
2018《PPAPER》 / 臺灣
2018《wonder foto day》 / 臺灣
2018《The Femin》/ 香港 / Link

2017《Everyday Object》Family Portrait / 合作 / 臺灣 / Link

2017《Everyday Object》Pantone / 合作 / 臺灣 / Link

2017《Everyday Object》Converse / 合作 / 臺灣 / Link

2016《Nylon》 / 實體出版 / 韓國
2016《Nylon》/ 日本
2016《意念圖誌 Inspire》 / 實體出版 / 臺灣

2015《The Plus 》/ 英國 / Link

2015 《Obscura Magazine》 / 香港
2015《Fubiz》/ 法國 / Link

2015《FLiPER》/ 臺灣 / Link

2015 《nssmag.com》/ 義大利
2015《iGNANT》/ 德國 / Link

2015《Artisan Magazin》/ 德國
2015《waterfall》 / 臺灣 / Link
2015《Vice》 / 中國
2015《#photography Magazine》 / 實體出版 / 英國

2015《Calling》 / 實體出版 / 土耳其
2015《BranD magazine》 / 實體出版 / 香港

					
				
			
		
	


經歷
Experience

					
				
			
		
	


2024&#38;nbsp;林宥嘉《王》實體專輯 / Yoga Lin ”Love, Lord“ Music Art Book / 平面攝影2024 adidas ORIGINALS《Artist REMAKE》/ 拍攝與鞋款改造
2024 與 MAZDA&#38;nbsp; MX- 5 / 合作

2022 《Par : Performing arts redefined》表演藝術期刊封面 / 攝影
2022《新一代設計展》主視覺 / 平面與動態攝影 + 導演
2022 第9屆 TIQFF 台灣國際酷兒影展《 𝕃𝕠𝕧𝕖 ℙ𝕝𝕦𝕤 +∞ 愛宇宙・愛無限 》/ 拍攝
2022 犀牛盾新品《渲染虹彩系列》/ 攝影
2021 《Nespresso 夏日食譜聯創計畫》 / 攝影
2021 《GQ x Niko》 / 攝影
2021 雜誌《Homework》 / 攝影
2020 Selina《四季》 前導影片 / 全片製作
2019 臺灣《金音創作獎》/ 視覺統籌與創意總監
2019 與台灣賓士合作《smart》拍攝與採訪 / 攝影
2018 林宥嘉《idol》演唱會周邊 / 設計
2018 文慧如《親愛的你，怎樣的我》專輯 / 攝影
2018 Google Pixel3 企劃影片 / 全片製作
2017 TOYOTA PRIUS c 廣告 / 導演
2017 SAMSUNG NOTE8 / 全片製作
2017 阿達Ada MV《我說寶貝》/ 導演
2017 SAMSUNG A7 / 攝影2017 加美隱形眼鏡 / 攝影2017 藝人温貞菱 / 攝影
2017 《Everday Object》 / 攝影
2016 舞台劇《How Long is Now》/ 導演
2016 Lulu黃路梓茵《蜜大腿》/ 導演
2016 魏如萱《那邊的女人，這邊的貓》 / 攝影
2016 舞台劇《洋子Yoko》 / 攝影
2016 黃玠瑋《wonderland》 / 攝影
2016 韓國《wegle wegle》 / 攝影
2016 《ponyo porco》 / 攝影
2015 Ella《差一點》MV / 全片製作
2015《ADERerror》形象照2015
《ponyo porco》形象照2015
《ATOM》形象照2015
紐約樂團《SACHI》專輯攝影

					
				
			
		
	


One had to know the initial and final states to meet that goal; one needed knowledge of the effects before the causes could be initiated.

 
Update :&#38;nbsp; Oct. 8 ,2025

</description>
		
	</item>
		
		
	<item>
		<title>2022 YODEX ｜ Key Visaul Design</title>
				
		<link>https://sydney-sie.com/2022-YODEX-Key-Visaul-Design</link>

		<pubDate>Thu, 04 May 2023 17:06:17 +0000</pubDate>

		<dc:creator>Sydney Sie</dc:creator>

		<guid isPermaLink="true">https://sydney-sie.com/2022-YODEX-Key-Visaul-Design</guid>

		<description>2022 YODEX ｜ Key Visaul Design
2022 新一代設計展｜主視覺設計

April 2022


&#38;nbsp;●獲金點設計獎標章 Golden Pin Design Award｜Photographer &#38;amp; Moving Image Artist in Collaboration / Sydney Sie ｜Idea Contributor of Images/ Sydney Sie &#38;amp; ©aaronniehworkshop
｜Overall Manager of the Project/ 台灣設計研究院 台灣設計研究院 TDRI  新一代設計展_yodex
｜Team of Key Visual Programme / 永真急制 ©aaronniehworkshop
｜AD / 聶永真 Aaron Nieh&#38;nbsp; 聶永真 Aaron Nieh &#38;amp; 陳燻雞
｜Project Designer / @xiang_wrx 
｜Designer / Emily Wang
｜Motion Graphics Artist for Typography &#38;amp; KV 
｜Layout / @ke_vin0722 
｜Copywriter / @xiang_wrx 
｜Project Manager / Janice Lin&#38;nbsp;
｜Motion Graphics Artist for Image production / Ronn Chen
｜Photographic Assistant / @riversbed &#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/aaad4058b138c3291e01ab431275c4a5c6f102b5477d18b690e23c6e1b526696/SydneySie-Yodex-09.png" data-mid="177776612" border="0"  src="https://freight.cargo.site/w/1000/i/aaad4058b138c3291e01ab431275c4a5c6f102b5477d18b690e23c6e1b526696/SydneySie-Yodex-09.png" /&#62;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/8553f3ffbbdc5e42c969b7585f5fce2bd5fc7f63561c61034ee29babd7a600a1/SydneySie-Yodex-10.jpg" data-mid="177776618" border="0"  src="https://freight.cargo.site/w/1000/i/8553f3ffbbdc5e42c969b7585f5fce2bd5fc7f63561c61034ee29babd7a600a1/SydneySie-Yodex-10.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/d3358ecde49ea6c4a8a08b28340f4c7cd7a8bd3e9711f2e2efdb91033821f071/SydneySie-Yodex-11.png" data-mid="177776622" border="0"  src="https://freight.cargo.site/w/1000/i/d3358ecde49ea6c4a8a08b28340f4c7cd7a8bd3e9711f2e2efdb91033821f071/SydneySie-Yodex-11.png" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/e3ec4cf021e19865e6c165bc1d526b0d57f99c969653a9303604fd5d1559fc1e/SydneySie-Yodex-12.png" data-mid="177776633" border="0"  src="https://freight.cargo.site/w/1000/i/e3ec4cf021e19865e6c165bc1d526b0d57f99c969653a9303604fd5d1559fc1e/SydneySie-Yodex-12.png" /&#62;
&#60;img width="4500" height="4501" width_o="4500" height_o="4501" data-src="https://freight.cargo.site/t/original/i/e7f0ab13d8769a848807ca3c3c91427506d6017c1eb838bb76e83c741f3ad8d3/SydneySie-Yodex-01.png" data-mid="177775951" border="0"  src="https://freight.cargo.site/w/1000/i/e7f0ab13d8769a848807ca3c3c91427506d6017c1eb838bb76e83c741f3ad8d3/SydneySie-Yodex-01.png" /&#62;&#60;img width="4501" height="4501" width_o="4501" height_o="4501" data-src="https://freight.cargo.site/t/original/i/c1e63cd7b8d3c03d6c8e50f3f87aad8d78c6df79649b7112e883dc6364b8137f/SydneySie-Yodex-02.png" data-mid="177775958" border="0"  src="https://freight.cargo.site/w/1000/i/c1e63cd7b8d3c03d6c8e50f3f87aad8d78c6df79649b7112e883dc6364b8137f/SydneySie-Yodex-02.png" /&#62;&#60;img width="4501" height="4501" width_o="4501" height_o="4501" data-src="https://freight.cargo.site/t/original/i/e5e366211c307296608844072a0d9044e6f460bc879515230c026356d332ed0b/SydneySie-Yodex-03.png" data-mid="177775959" border="0"  src="https://freight.cargo.site/w/1000/i/e5e366211c307296608844072a0d9044e6f460bc879515230c026356d332ed0b/SydneySie-Yodex-03.png" /&#62;&#60;img width="1866" height="1866" width_o="1866" height_o="1866" data-src="https://freight.cargo.site/t/original/i/f174857b36bac92721462fc9599c5ae253764b21f0e10d4b687640b8912360f7/SydneySie-Yodex-04.png" data-mid="177776006" border="0"  src="https://freight.cargo.site/w/1000/i/f174857b36bac92721462fc9599c5ae253764b21f0e10d4b687640b8912360f7/SydneySie-Yodex-04.png" /&#62;&#60;img width="1866" height="1862" width_o="1866" height_o="1862" data-src="https://freight.cargo.site/t/original/i/ee6505011d655b9111069ee5560227a870fd79a1257f4518cd7660e222e37e5d/SydneySie-Yodex-05.png" data-mid="177776017" border="0"  src="https://freight.cargo.site/w/1000/i/ee6505011d655b9111069ee5560227a870fd79a1257f4518cd7660e222e37e5d/SydneySie-Yodex-05.png" /&#62;&#60;img width="1864" height="1864" width_o="1864" height_o="1864" data-src="https://freight.cargo.site/t/original/i/f4e6741f6974de2b232d305f886e1d808ad09715b858c1dfd5f93d0b1cc4adb6/SydneySie-Yodex-06.png" data-mid="177776033" border="0"  src="https://freight.cargo.site/w/1000/i/f4e6741f6974de2b232d305f886e1d808ad09715b858c1dfd5f93d0b1cc4adb6/SydneySie-Yodex-06.png" /&#62;
&#60;img width="1870" height="1864" width_o="1870" height_o="1864" data-src="https://freight.cargo.site/t/original/i/4a89d30de951302f40d73e5abd2b93840a6359c9c5e8fdd5c31d1e8da1c8a06b/SydneySie-Yodex-07.png" data-mid="177776034" border="0"  src="https://freight.cargo.site/w/1000/i/4a89d30de951302f40d73e5abd2b93840a6359c9c5e8fdd5c31d1e8da1c8a06b/SydneySie-Yodex-07.png" /&#62;
&#60;img width="1864" height="1862" width_o="1864" height_o="1862" data-src="https://freight.cargo.site/t/original/i/6df59f3000a2c35735f28f78a8895cf61ae998d9399093185a936ab8b0f78b60/SydneySie-Yodex-08.png" data-mid="177776036" border="0"  src="https://freight.cargo.site/w/1000/i/6df59f3000a2c35735f28f78a8895cf61ae998d9399093185a936ab8b0f78b60/SydneySie-Yodex-08.png" /&#62;

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		<title>Ze and Zir</title>
				
		<link>https://sydney-sie.com/Ze-and-Zir</link>

		<pubDate>Sat, 08 Jan 2022 19:03:05 +0000</pubDate>

		<dc:creator>Sydney Sie</dc:creator>

		<guid isPermaLink="true">https://sydney-sie.com/Ze-and-Zir</guid>

		<description>
｜Ze and Zir｜ Asia Culture Center《Solidarity as Spore》（Love: in all its forms and inclusivity) May 2020


Ze and Zir, 2020. Three-channel
video, color, silent, 2 min.
Commissioned by Asia Cultur Centert 

　

————————————————
If there were no genders, it should not cause any troubles to say “ze has loved cars since childhood”, “ze dreams to become a ballet dancer”, or “ze loves zir deeply and wants to spend zir life with zir”.
　
Gender binary is the source of all gender troubles. If people could choose to become partners, how to dress and how to present themselves in life without gender labels, then we no longer need to establish self-value by conforming to gender stereotypes. An individual could build a personal image freely without referring to gender roles and instead according to their unlimited imagination.
　
Taiwan became the first country in Asia to legalize same-sex marriage in 2019. In the same year, the Oxford English Dictionary update included gender-neutral third-person pronouns Ze and Zir. With a similar spirit, we experiment with removing the radicals of Chinese characters “他(he)”/“她(she)”, reinventing the character “也” as the potential gender-neutral pronoun and using it as the core concept of this creative project.
　
The work consists of three moving posters, which will be displayed in loop on three aligned, vertical screens, each with a different theme. We incorporate elements of gender stereotypes in these images while seeking to break the traditional gender framework through a visual dynamic, as well as to discover more freedom in gender expression. There is no “should”; women don’t need to wear heels and men can enjoy putting on makeup.
　

Lastly, a colorful glass ball travels through the images on the screens, metaphorically crossing the boundaries of time and space.｜Artist / Sydney Sie &#38;amp; Zen Yun Zon
｜Special Thanks: 親愛的 @aaronnieh / Elise Chen





&#60;img width="1080" height="1920" width_o="1080" height_o="1920" data-src="https://freight.cargo.site/t/original/i/792a0ceb546e5275fdceab135e0dce545410f2b7c7bc97a196efb33b7343a85d/SydneySie-gwangju-01.jpg" data-mid="177778245" border="0"  src="https://freight.cargo.site/w/1000/i/792a0ceb546e5275fdceab135e0dce545410f2b7c7bc97a196efb33b7343a85d/SydneySie-gwangju-01.jpg" /&#62;

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&#60;img width="1080" height="1920" width_o="1080" height_o="1920" data-src="https://freight.cargo.site/t/original/i/f11434c077296cb8955fdbb2a22c4b715fcc6995e87cbafa69912ddb6cd42374/SydneySie-gwangju-03.jpg" data-mid="177778258" border="0"  src="https://freight.cargo.site/w/1000/i/f11434c077296cb8955fdbb2a22c4b715fcc6995e87cbafa69912ddb6cd42374/SydneySie-gwangju-03.jpg" /&#62;

&#60;img width="3240" height="1920" width_o="3240" height_o="1920" data-src="https://freight.cargo.site/t/original/i/fddb5bbd3b1301601fc70999f921eccbbaa94ee6536187f9cf5e815d28bbf874/SydneySie-gwangju-04.jpg" data-mid="177778270" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/fddb5bbd3b1301601fc70999f921eccbbaa94ee6536187f9cf5e815d28bbf874/SydneySie-gwangju-04.jpg" /&#62;
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		<title>2022 TIQFF </title>
				
		<link>https://sydney-sie.com/2022-TIQFF</link>

		<pubDate>Fri, 05 May 2023 13:51:29 +0000</pubDate>

		<dc:creator>Sydney Sie</dc:creator>

		<guid isPermaLink="true">https://sydney-sie.com/2022-TIQFF</guid>

		<description>2022 TIQFF 
台灣國際酷兒影展July 2022
人體超越了二元的界線，十指撥開的是器官、是框架、是新的視野，腿部的縫隙揉作成 ∞ 無限符號，能承載的是不同的樣貌。以過往的作品延展，這次的拍攝一樣是沒有合成，不斷突破新的可能性。────────────────────｜Artist / Sydney Sie
｜TIQFF台灣國際酷兒影展 @tiqff｜Special thanks / Rivers Yang
 
&#60;img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/4e812a96aff87d1ad6d442d9d2f46f385a1cfd3c4909cc8e444e2016f62c804b/SydneySie-2022TIQFF.jpg" data-mid="177791394" border="0"  src="https://freight.cargo.site/w/1000/i/4e812a96aff87d1ad6d442d9d2f46f385a1cfd3c4909cc8e444e2016f62c804b/SydneySie-2022TIQFF.jpg" /&#62;</description>
		
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		<title>The Nothingness of Amelie</title>
				
		<link>https://sydney-sie.com/The-Nothingness-of-Amelie-1</link>

		<pubDate>Sat, 08 Jan 2022 19:03:06 +0000</pubDate>

		<dc:creator>Sydney Sie</dc:creator>

		<guid isPermaLink="true">https://sydney-sie.com/The-Nothingness-of-Amelie-1</guid>

		<description>The Nothingness of AmelieNovember 2014


The project" The Nothingness of Amelie" is full of comfortable colors, and it's just like lying on an extremely soft bed, which like lying in the cloud. At some point, all of them will dissolve into nothingness.


｜Artist&#38;nbsp; / Sydney Sie

&#60;img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/adb7e6de2fff0d29ef60ff1be993652eb70eba6d6d24320b6c60e35159ee358e/Sydney-Sie-The-Nothingness-of-Amelie-01.jpg" data-mid="177779175" border="0"  src="https://freight.cargo.site/w/1000/i/adb7e6de2fff0d29ef60ff1be993652eb70eba6d6d24320b6c60e35159ee358e/Sydney-Sie-The-Nothingness-of-Amelie-01.jpg" /&#62;

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&#60;img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/b58cb859fa637c923c2c5382a6b55c19e859722a3235e7a63b319c6669e39aa0/Sydney-Sie-The-Nothingness-of-Amelie-05.jpg" data-mid="177779187" border="0"  src="https://freight.cargo.site/w/1000/i/b58cb859fa637c923c2c5382a6b55c19e859722a3235e7a63b319c6669e39aa0/Sydney-Sie-The-Nothingness-of-Amelie-05.jpg" /&#62;

&#60;img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/1a0bbc83e932d25fa9a75bc83ade98453c8780d4a4bc4a4c4c959cd696e67f90/Sydney-Sie-The-Nothingness-of-Amelie-06.jpg" data-mid="177779188" border="0"  src="https://freight.cargo.site/w/1000/i/1a0bbc83e932d25fa9a75bc83ade98453c8780d4a4bc4a4c4c959cd696e67f90/Sydney-Sie-The-Nothingness-of-Amelie-06.jpg" /&#62;

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&#60;img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/4af54b53dfef63e3cc02dbf33ab9a1e3bb41dedbb3c33af47625fe36fb48edf0/Sydney-Sie-The-Nothingness-of-Amelie-10.jpg" data-mid="177779193" border="0"  src="https://freight.cargo.site/w/1000/i/4af54b53dfef63e3cc02dbf33ab9a1e3bb41dedbb3c33af47625fe36fb48edf0/Sydney-Sie-The-Nothingness-of-Amelie-10.jpg" /&#62;

&#60;img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/d8efb21e699e5cb93782a77611d5276037717caa517c66a50051966ac464a2e3/Sydney-Sie-The-Nothingness-of-Amelie-11.jpg" data-mid="177779194" border="0"  src="https://freight.cargo.site/w/1000/i/d8efb21e699e5cb93782a77611d5276037717caa517c66a50051966ac464a2e3/Sydney-Sie-The-Nothingness-of-Amelie-11.jpg" /&#62;

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	<item>
		<title>Unexpectable Boxes</title>
				
		<link>https://sydney-sie.com/Unexpectable-Boxes-1</link>

		<pubDate>Fri, 05 May 2023 13:51:33 +0000</pubDate>

		<dc:creator>Sydney Sie</dc:creator>

		<guid isPermaLink="true">https://sydney-sie.com/Unexpectable-Boxes-1</guid>

		<description>Unexpectable BoxesDecember 2014
The scene of the project "Unexpectable Boxes" is build by color papers and form boards to simulate artificial spaces. The hand stretches out from the hole with tricolor box, and then the hand, foot, and face stretch out from the box to make an infinite loop.
3 episodes: catch,mystery and hyde.
This hole is the only clue from inner and outside, where we see the world from ellipse to square.A twist form makes people to wonder curiously to catch.
The mystery is when we want to get more but instead,they are getting far and far away.We follow the path to hide under hiding.Desire is not the end of story but also the necessary to struggle before having it.














｜Artist&#38;nbsp; / Sydney Sie｜Video&#38;nbsp; / ZANGWANG&#38;nbsp;
&#60;img width="1920" height="2880" width_o="1920" height_o="2880" data-src="https://freight.cargo.site/t/original/i/096dbc8af35e63bbeda068826f13ac50b25b1914f805cf7594350c482bd31e1e/Sydney-Sie-Unexpectable-Boxes-02.jpg" data-mid="177792825" border="0"  src="https://freight.cargo.site/w/1000/i/096dbc8af35e63bbeda068826f13ac50b25b1914f805cf7594350c482bd31e1e/Sydney-Sie-Unexpectable-Boxes-02.jpg" /&#62;&#60;img width="1920" height="2880" width_o="1920" height_o="2880" data-src="https://freight.cargo.site/t/original/i/419c3615431de72f22fe0a4dfefdfa854210306d8b895a2d9c843d9d155a7467/Sydney-Sie-Unexpectable-Boxes-03.jpg" data-mid="177792874" border="0"  src="https://freight.cargo.site/w/1000/i/419c3615431de72f22fe0a4dfefdfa854210306d8b895a2d9c843d9d155a7467/Sydney-Sie-Unexpectable-Boxes-03.jpg" /&#62;&#60;img width="1920" height="2880" width_o="1920" height_o="2880" data-src="https://freight.cargo.site/t/original/i/cde9e778a56e8bf0ed5660d61bf99c7c7b290534b44fa0f2b5754d7886b7dd10/Sydney-Sie-Unexpectable-Boxes-05.jpg" data-mid="177792891" border="0"  src="https://freight.cargo.site/w/1000/i/cde9e778a56e8bf0ed5660d61bf99c7c7b290534b44fa0f2b5754d7886b7dd10/Sydney-Sie-Unexpectable-Boxes-05.jpg" /&#62;&#60;img width="1920" height="2880" width_o="1920" height_o="2880" data-src="https://freight.cargo.site/t/original/i/c5d6c35a26833ce81c273b37dc0477a0db1a47ba9385975abc79cf4b213685f8/Sydney-Sie-Unexpectable-Boxes-01.jpg" data-mid="177792896" border="0"  src="https://freight.cargo.site/w/1000/i/c5d6c35a26833ce81c273b37dc0477a0db1a47ba9385975abc79cf4b213685f8/Sydney-Sie-Unexpectable-Boxes-01.jpg" /&#62;&#60;img width="1920" height="2880" width_o="1920" height_o="2880" data-src="https://freight.cargo.site/t/original/i/3f55315c774b0a34d8160b6218e28aeb22ef946090cf2e62c95742085906a8f4/Sydney-Sie-Unexpectable-Boxes-06.jpg" data-mid="177792918" border="0"  src="https://freight.cargo.site/w/1000/i/3f55315c774b0a34d8160b6218e28aeb22ef946090cf2e62c95742085906a8f4/Sydney-Sie-Unexpectable-Boxes-06.jpg" /&#62;&#60;img width="1920" height="2880" width_o="1920" height_o="2880" data-src="https://freight.cargo.site/t/original/i/f2203a2034931829ae1cfa1a835392a66c230eea6fe3437ccd0c834696b6b150/Sydney-Sie-Unexpectable-Boxes-04.jpg" data-mid="177792924" border="0"  src="https://freight.cargo.site/w/1000/i/f2203a2034931829ae1cfa1a835392a66c230eea6fe3437ccd0c834696b6b150/Sydney-Sie-Unexpectable-Boxes-04.jpg" /&#62;&#60;img width="600" height="338" width_o="600" height_o="338" data-src="https://freight.cargo.site/t/original/i/e63ff1dfce7fe382fb11a10de05f3f25d28d10d7a00f031cca2a2de558a8dc8a/Unexpectable-Box-01-.gif" data-mid="177793038" border="0"  src="https://freight.cargo.site/w/600/i/e63ff1dfce7fe382fb11a10de05f3f25d28d10d7a00f031cca2a2de558a8dc8a/Unexpectable-Box-01-.gif" /&#62;&#60;img width="600" height="338" width_o="600" height_o="338" data-src="https://freight.cargo.site/t/original/i/19ac211726b81c9a4348357c26a8ad32e0a928aba97a2b96126471eee2816961/Unexpectable-Box-04-.gif" data-mid="177793068" border="0"  src="https://freight.cargo.site/w/600/i/19ac211726b81c9a4348357c26a8ad32e0a928aba97a2b96126471eee2816961/Unexpectable-Box-04-.gif" /&#62;&#60;img width="600" height="338" width_o="600" height_o="338" data-src="https://freight.cargo.site/t/original/i/598c060434a3b981cd0ce7afc27e5b8ddc62ef37ad6e90c53b454542ec44d805/Unexpectable-Box-02-.gif" data-mid="177792927" border="0"  src="https://freight.cargo.site/w/600/i/598c060434a3b981cd0ce7afc27e5b8ddc62ef37ad6e90c53b454542ec44d805/Unexpectable-Box-02-.gif" /&#62;&#60;img width="600" height="338" width_o="600" height_o="338" data-src="https://freight.cargo.site/t/original/i/4df50eccefa2e581e1778dd791e89fa3ed424e75fa1e80b13f608727b50cedd9/Unexpectable-Box-03-.gif" data-mid="177793044" border="0"  src="https://freight.cargo.site/w/600/i/4df50eccefa2e581e1778dd791e89fa3ed424e75fa1e80b13f608727b50cedd9/Unexpectable-Box-03-.gif" /&#62;&#60;img width="600" height="338" width_o="600" height_o="338" data-src="https://freight.cargo.site/t/original/i/f20015f1d506f640f6fb6359b45d9b788a5627d1c1a373da4a821fed7cbc5c59/Unexpectable-Box-05-.gif" data-mid="177793017" border="0"  src="https://freight.cargo.site/w/600/i/f20015f1d506f640f6fb6359b45d9b788a5627d1c1a373da4a821fed7cbc5c59/Unexpectable-Box-05-.gif" /&#62;</description>
		
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	<item>
		<title>Paw Paw</title>
				
		<link>https://sydney-sie.com/Paw-Paw</link>

		<pubDate>Sat, 08 Jan 2022 19:03:05 +0000</pubDate>

		<dc:creator>Sydney Sie</dc:creator>

		<guid isPermaLink="true">https://sydney-sie.com/Paw-Paw</guid>

		<description>Paw PawDecember 2022
 &#38;nbsp; &#38;nbsp;
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
｜Art Director of Photography / Sydney Sie｜Client / 年年養生機能寵物鮮食&#38;nbsp;｜Project Coordinator / Desiree Niu 牛子齊 ｜Art Director of Graphic Design / Rivers Yang ｜Photographic Assistant / Steven Huang &#38;amp;Ethan ｜Model / Kitty &#38;amp; 包包 &#38;amp; Eddie &#38;amp; Dior &#38;amp; Pocky &#38;amp; 弟弟 &#38;amp; 阿諾 &#38;amp; 露露｜Special Thanks / 闕 &#38;amp; 閔涵&#38;nbsp;
&#60;img width="1890" height="2362" width_o="1890" height_o="2362" data-src="https://freight.cargo.site/t/original/i/dbb3e93a239d77c81a95f6c4f5808d993a695d0d0de2f5853a65d44178eec26a/niannian-miao-ver1-01.jpg" data-mid="177773474" border="0"  src="https://freight.cargo.site/w/1000/i/dbb3e93a239d77c81a95f6c4f5808d993a695d0d0de2f5853a65d44178eec26a/niannian-miao-ver1-01.jpg" /&#62;&#60;img width="4912" height="6140" width_o="4912" height_o="6140" data-src="https://freight.cargo.site/t/original/i/f346c662a206b064e1e985ec83e199ac1737dd5d4e22dbd9e2597c7ab89fe683/niannian-miao-ver1-02.jpg" data-mid="177773782" border="0"  src="https://freight.cargo.site/w/1000/i/f346c662a206b064e1e985ec83e199ac1737dd5d4e22dbd9e2597c7ab89fe683/niannian-miao-ver1-02.jpg" /&#62;&#60;img width="1890" height="2363" width_o="1890" height_o="2363" data-src="https://freight.cargo.site/t/original/i/99c055265bb3a7b56b88d039a36309d54b480c7cc6ae2eab96f95879b707f9c9/niannian-miao-ver1-03.jpg" data-mid="177773784" border="0"  src="https://freight.cargo.site/w/1000/i/99c055265bb3a7b56b88d039a36309d54b480c7cc6ae2eab96f95879b707f9c9/niannian-miao-ver1-03.jpg" /&#62;
&#60;img width="1890" height="2363" width_o="1890" height_o="2363" data-src="https://freight.cargo.site/t/original/i/ebf3ac1255652144aa8aac40c6a4af6d713d4af7183ce84011ee25ddaa76bb60/niannian-ver2-5.jpg" data-mid="177773803" border="0"  src="https://freight.cargo.site/w/1000/i/ebf3ac1255652144aa8aac40c6a4af6d713d4af7183ce84011ee25ddaa76bb60/niannian-ver2-5.jpg" /&#62;&#60;img width="1890" height="2363" width_o="1890" height_o="2363" data-src="https://freight.cargo.site/t/original/i/3e776430256ef1e7e707f0390b3d4ae02ad75179eeb2e30faa4f09ecd828d15c/niannian-ver2-6.jpg" data-mid="177773805" border="0"  src="https://freight.cargo.site/w/1000/i/3e776430256ef1e7e707f0390b3d4ae02ad75179eeb2e30faa4f09ecd828d15c/niannian-ver2-6.jpg" /&#62;&#60;img width="1890" height="2363" width_o="1890" height_o="2363" data-src="https://freight.cargo.site/t/original/i/96b1b31f092fa4554dff990b109eb4797d878f168ed5437a5701ab33bb05ebf3/niannian-ver2-4.jpg" data-mid="177773809" border="0"  src="https://freight.cargo.site/w/1000/i/96b1b31f092fa4554dff990b109eb4797d878f168ed5437a5701ab33bb05ebf3/niannian-ver2-4.jpg" /&#62;&#60;img width="1890" height="2363" width_o="1890" height_o="2363" data-src="https://freight.cargo.site/t/original/i/366d858048d6b46afa67a6baf0602af152a27be48710fc675667fada6b5869fa/niannian-miao-ver1-06.jpg" data-mid="177773810" border="0"  src="https://freight.cargo.site/w/1000/i/366d858048d6b46afa67a6baf0602af152a27be48710fc675667fada6b5869fa/niannian-miao-ver1-06.jpg" /&#62;&#60;img width="1890" height="2363" width_o="1890" height_o="2363" data-src="https://freight.cargo.site/t/original/i/109b7ace8e52a0056492467b2269613c68192d630f9f03d014563e4f4e3758d7/niannian-miao-ver1-05.jpg" data-mid="177773814" border="0"  src="https://freight.cargo.site/w/1000/i/109b7ace8e52a0056492467b2269613c68192d630f9f03d014563e4f4e3758d7/niannian-miao-ver1-05.jpg" /&#62;&#60;img width="1890" height="2363" width_o="1890" height_o="2363" data-src="https://freight.cargo.site/t/original/i/6a7a0a26858502488f729da1546aa952dd4904941958e56c01be95c38b8bdd58/niannian-miao-ver1-04.jpg" data-mid="177773815" border="0"  src="https://freight.cargo.site/w/1000/i/6a7a0a26858502488f729da1546aa952dd4904941958e56c01be95c38b8bdd58/niannian-miao-ver1-04.jpg" /&#62;

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	<item>
		<title>Here-Now-Position</title>
				
		<link>https://sydney-sie.com/Here-Now-Position</link>

		<pubDate>Fri, 05 May 2023 16:01:10 +0000</pubDate>

		<dc:creator>Sydney Sie</dc:creator>

		<guid isPermaLink="true">https://sydney-sie.com/Here-Now-Position</guid>

		<description>Here-Now-PositionMay 2022 / March 2017

材質：數位創作尺寸：(W)35.5cm x (H)35.5cm x (D)35.5cm
「地球在宇宙裡的位置不是固定的，穿越時空的時候記得要設好座標。」利用舊的類比電視與電腦介面，結合New Balance的素材，並運用視訊鏡頭和現場環境互動，讓觀眾融入為作品的一部份，將過去與現在融合，呈現強烈趣味對比。Here-now presentism是「此時此地當下主義」，用來說明只有現在的事物存在。作品名稱將「presentism」巧妙的替換為「position」，模糊了時間與空間，像是穿越了過去與未來，讓當下的觀眾紀錄在此時此刻，就像是遊戲裡的暫存點，用來當作以後穿越時空的座標。














｜Artist&#38;nbsp; / Sydney Sie｜Client / What A Grey Day&#38;nbsp;@newbalance

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Video ↓ 

















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